How We See: Photobooks by Women, 10×10 Photobooks’ latest project and publication presents a global range of 21st-century photobooks by female photographers.
With historical records establishing 19th-century British photographer Anna Atkins’s Photographs of British Algae: Cyanotype Impressions (1843-1853) as the first photobook, it is not surprising that women have consistently contributed to the rich history of photobook making. 10×10 Photobooks has organized How We See—a hands-on reading room, “books on books” publication and series of public events—to explore the distinctive content, design and intellectual attributes in photobooks produced by women.
The comprehensive How We See publication—with images and texts for all the photobooks in the project—is an invaluable reference and resource. In addition to all one hundred books in the reading room, the publication includes one hundred historical books by women photographers, an annotated chronology, and several essays on the history and practice of photobooks by women.
Featured photographers include Laia Abril, Ying Ang, Olivia Arthur, Sophie Calle, Xiaoyi Chen, Zoe Croggon, Cristina de Middel, Laura El-Tantawy, Abigail Heyman, Hannah Höch, Dragana Jurišic, Kristina Jurotschkin, Pixy Liao, Susan Meiselas, Lucia Moholy, Zanele Muholi, Yurie Nagashima, Catherine Opie, Maya Rochat, Guadalupe Ruiz, Eva Saukane, Collier Schorr, Ketaki Sheth, Lieko Shiga, Dayanita Singh, Mitra Tabrizian, Carrie Mae Weems, among many others.
With historical records establishing 19th-century British photographer Anna Atkins’s Photographs of British Algae: Cyanotype Impressions (1843-1853) as the first photobook, it is not surprising that women have consistently contributed to the rich history of photobook making. 10×10 Photobooks has organized How We See—a hands-on reading room, “books on books” publication and series of public events—to explore the distinctive content, design and intellectual attributes in photobooks produced by women.
The comprehensive How We See publication—with images and texts for all the photobooks in the project—is an invaluable reference and resource. In addition to all one hundred books in the reading room, the publication includes one hundred historical books by women photographers, an annotated chronology, and several essays on the history and practice of photobooks by women.
Featured photographers include Laia Abril, Ying Ang, Olivia Arthur, Sophie Calle, Xiaoyi Chen, Zoe Croggon, Cristina de Middel, Laura El-Tantawy, Abigail Heyman, Hannah Höch, Dragana Jurišic, Kristina Jurotschkin, Pixy Liao, Susan Meiselas, Lucia Moholy, Zanele Muholi, Yurie Nagashima, Catherine Opie, Maya Rochat, Guadalupe Ruiz, Eva Saukane, Collier Schorr, Ketaki Sheth, Lieko Shiga, Dayanita Singh, Mitra Tabrizian, Carrie Mae Weems, among many others.