In this body of work, Brooklyn based artist Cole Barash (b.1987) uses a unique hyper-focused approach in a study of two pure forms of raw energy, a Nor'Easter storm and the birth of a child. Through composition and sequence, this work considers the experience of these two worlds as one.
At first, I hadn’t made the connection between the two events and was naturally drawn out into photographing the storm and the aftermath. I spent a few days hiking the dunes, the beaches, the ponds and woods, focusing on areas that had been impacted by the storm and areas that hadn’t changed at all. Later realizing that in its seclusion, the space of a storm can be much like the space of a delivery room. The pressure, the buildup, the excitement and fear that come along with witnessing this incredible transformation of energy. Both spaces exclusive to the elements involved in conceiving the change, I was so curious. What was this going to look like?
We were on high alert to be prepared and expect the worst. Receiving notifications, one after another that the Nor’Easter storm Stella was coming. With record breaking winds at 75 miles per hour in Wellfleet, MA where two days prior, we had welcomed our first child, Iya into the world.
The labor lasted four long days and in that time I was drawn to the obscurities in the room. The mirror was especially interesting, providing an alternative perspective to the room and to the relationship between the medical personal and my wife. The variety of shapes and tools, the strong bodily language and communication that was happening in the final stages of delivery to the heroic and monumental moments of my child taking her first breath of fresh air. I was intrigued by all the elements that came together to create the landscape where I was going to have the most important and beautiful experience of my life.